The Church on Church.

For me, one of the focal points of the Verdun borough on the Island of Montreal, has always been Notre-Dame-des-Sept-Douleurs church on the corner of Wellington and De l'Église streets. One of the tallest non residential building in this part of the city, its two bell towers are always the silhouette highlight of colorful sunsets. I managed to get out yesterday and get a couple of exterior shots of this landmark and, as they have open houses often, I hope to return in the future to catch the evening sun coming in through the stained glass panes.


The following history of the church was borrowed from:
http://www.uquebec.ca/musique/orgues/quebec/ndsdouleursv.html

The church

The parish of Notre-Dame-des-Sept-Douleurs (Our Lady of Seven Sorrows) is detached from St. Paul parish in 1899 after the church has been destroyed by fire. In the prospect of paying for rebuilding a chuch that is located far from their home, some parishioners requested a new parish be established and to build their own church. Bishop Paul Bruchési, archbishop of Montreal, agreed with their request within one month.

The parish commissioned Joseph Venne, a well known architect for his excessive enthusiasm, so that he will, one more time, show his talents. According to the style of the day, the church is huge and magnificent. The architect, who is known for mixing various architectural styles, builds a Baroque styled interior and a Néo-classical styled exterior.

The barrel vault was painted by Louis-Euatache Monty. The altars, in Carrara marble and stucco, were produced by Daprato at the cost of $32,000, a huge amount of money for the time. The high altar measures 42 feet (12.8m) high by 25 feet (7.6m) wide and weighs 10,000 pounds (4536kg). The Virgin statue and the angels are also made of marble. The Last Supper and the chapiters of the pillars are of the same gilded and engraved bronze used on the doors of the tabernacles. The mosaics are made of Florentine glass and Vatican enameled glass.

The construction debt was completed repaid by 1924. On the same year, a drive to cover the cost of acquiring and installing bells in the towers yields an extra $15,000. The bells were cast by Paccard, in France. An 18-bell carillon is installed in the bell towers.

In 1929, magnificent glass windows depicting the mysteries of the Rosary were installed in the sanctuary.

The front steps are a regular congregation place of locals out for a stroll or running errands any day of the week. I really hope I do get the chance to photograph the interior soon.

Depth of Field

One of the things that has always amazed me about photography is depth of field. Once I had a handle on how to manipulate the different elements of the camera in Manual mode, my goal was to to learn to take depth of field photos not just by accident, but on purpose. The first couple of pictures are examples of getting depth of field pictures in Auto mode by getting a tight focus on an object and hoping it turned out.




By the third month with the camera I was ready to start trying to take some shots in the AV mode, adjusting the aperture value to get the desired amount of depth of field.
This little bird turned out OK, but the color is washed out. I should have gone up a couple more stops from 8 to 11 or so.


And finally five months in, the first Aperture priority shot that turned out exactly as I envisioned it. Not the most interesting subject matter, but it made me happy.





Now that this last element was in place I was ready to start taking photos confident that I knew how to tell the camera what I wanted them to look like.

Wellington Sidewalk Sale

I will continue with the learning curve posts soon, but I had to take advantage of some great weather and a Sidewalk sale a block away. Most of these were taken in Manual mode, ISO 100, 5.6 f stop and just playing with the shutter speed to adjust for shots in the shade. The first one was taken ƒ/ 7.1 to bring out the blue in the sky.







I will probably have more new stuff this weekend as it is supposed to be another stellar day tomorrow and the Tour De L'Ile bike race is taking over the island on Sunday. Should be good practice for the Sports mode and telephoto lens.

ISO - The Next Step

The first thing I played around with in the creative modes on the Canon was the Manual Exposure Mode. This leaves the shutter speed, f stop and ISO in the photographer's hands. I wanted to get a good handle on one thing at a time, so I started with ISO. Still housebound due to extreme temperatures, the next obvious subject was the dog. Not a toughie, because she isn't too excitable and will lay reasonably still for minutes at a time.

The room she was lying in has a large window and lights up well even under grey skies.I set the white balance to auto and adjusted the ISO to 1600. The f stop default in the mode was 5.6 and the shutter speed at 1/60. I also set the Picture Style to Monochrome for black & white and manually adjusted the focal length to 43mm. This was the first non flash picture taken.


Not bad. A little heavy on the highlights on her belly. I took a look at the White Balance settings and saw there was one for overcast conditions. I set it, then snapped another one at 55mm.


This turned out pretty good too. I was pretty exited about getting images this clear and not being dependent on the flash like the Kodak. The next project would be waiting for a slightly warmer day and trying the ISO experiments outside. I had to wait six days for the first opportunity. We finally got a blustery day with a high of -8C. Time to rock 'n'roll. The day was overcast again, but I was thankful for that to avoid a lot of glare off of the snow. Went for a walk down by the river and practiced doing shots of bare trees and shrubs.

I reset the White balance for sunny conditions, since it was still pretty bright out there. Again set it to Manual mode and Monochrome. Lastly I set the ISO to 400. Completely blown out white shot, so I dialed it down to 100, the lowest setting.


Not that great. Still quite whited out. I thought that it might be worsen by the sky which looked a lot darker, but was still the sky and emitting light. Reset the white balance to overcast and tried one more shot with the river and Nuns Island as a backdrop.

Nope. It was clear that the wind coming up didn't help the photo at all. But there was still the light haze to everything. Back to the drawing board. Tomorrow I'll show you what happened when I started playing with the shutter speed.

First Week

The first couple of months with the the 1000D were forcefully all indoor work. Our harsh winters here had me scared to take the camera outside until it was warmer or had a camera bag. I spent about three days with the manual reading everything about the basic modes. Then I started looking for things around the house to practice on.

Being a cook it made sense to start by taking photos of things I cooked. The subject wasn't going to move on me and it would allow me to play around with angles too. One day I made a tray of vegetarian lasagna and figured it was as good a time as any to do some shots. First was a pic of the full tray of lasagna.


This was shot in basic mode with the built in flash. All the settings were on auto. There was no digital editing done to this photo. The reds and yellows seemed well defined and the angle worked. Next was to get a frame of the finished product on a plate. All the same auto settings, but it took a few shots to get the focus right because of steam rising from the lasagna itself. End product turned out pretty good.


All in all it was a good start. I have been cooking for over 20 years and seen people paid crazy money to produce far worse work for menus. My next challenge was to figure out how to shoot without the flash. This was the night the Creative Modes section of the manual got read. No turning back.

Warning: Kid Friendly Zone

Some people just don't have a knack for getting kids to sit still for a perfect picture. I don't believe this is something that would work for me. I'm a big guy. Kids are always wary around me for the first couple of days. Sit down shots are not going to work. So I rely on subterfuge and reverse psychology to make nice photos happen when I'm around kids. I never stoop to bribery. But if someone else has already loosened them up with a well timed treat I will be there to swoop in.


One of my favorite MOs is to walk outside and find a place to review and cull through my recent shots away from the kids. After a few minutes they will come find you. The silly things they do when they think you are busy make some of the best pictures. Especially if they are unaware you had the camera switched on. These two little girls avoided the camera all morning then were curious where it went.


Another is playing with the child and seeing what kind of mischief they can get into when they don't know the camera is on and ready to shoot. This only works well with one on one situations because you can steer the kid away from real trouble easier than trying to calm down three or four after they are wound up. It also works better with boys. Here is an example of a young man who thought it would be fun to splash water from a rain barrel and didn't know how cold it was going to be.


A good example of a way to get great photos with a group of kids is Hide & Seek. You can either follow the children around, or play as 'IT' yourself. Both ways give you all kinds of opportunity to catch them at their giddiest. Be prepared with an extra battery because they will want to see the pictures after each round to make sure you caught them.


And finally, the all time greatest way to get candid shots of kids in a group situation: The Kids Table. Hey, it gets them laughing, thinking you have been banished from the adult realm. It gives their parents a chance to get plates ready in peace and builds trust with the children. Just don't try stealing anybody's juice. they take this stuff seriously nowadays.


All of the above photos were taken with the Kodak DX6490.

The Relaunch

This page had fallen victim to the oldest blog pitfalls in the book – lack of direction and questionable motives. So, instead of looking out for the things that I find wrong with this fair city and province that I choose to call home, I have decided to turn it around and explore some of the stuff that are unique and beautiful about Lower Canada – with a camera.

I will first drop the two great footnotes that will define the new page. 1) I am a hobby shot. This is my learning curve with a camera. I’ve been taking pictures for years and finally got around to learning something about it. 2) I am a man without wheels. The stuff I visit and find to shoot will be decided by who I got where with. Most of the subject matter will be Montreal based. That doesn’t mean it will get boring. I promise to work hard to bring new and vibrant things to these pages.

Even though I take photos every day, I won’t necessarily be posting a new daily shot. Probably more like day off safaris spread out over the week. I will keep a stable of horses to trot out in an orderly fashion and try and spread out shots taken on the same outing even if they are not of the same subject matter.

For this first post I want to discuss some of the cameras I have owned. Like most teenagers, beer money was way more important than photography equipment. I bought a Vivitar snap shooter when I was 17. Flashy and blue. It was small and great for bringing along to punk rock shows and parties. It lasted me a couple of years before giving out. The only actual metal on the camera was the ring that held the wrist strap on.

After that came a Kodak Advantix T60. One of the APS rigs with the panoramic function. Went through about 50 rolls of film and did not have a lot of wasted shots because of focus problems. It had a flip up flash, so red eye was well under control also.

In 2004 I got a great deal on a Kodak DX6490 digital camera. It was a 4mp that had 10x optical zoom. I used it through until Christmas 2010 and it served me well over the years. By this time I was taking pictures every day. Pictures of the family. The dogs. Clouds. Out taking pictures in snow storms. In six years and two months I took 25,493 shots with that camera. I still keep it in my camera bag as a back up and if I need to shoot video. The realization that I would have to upgrade came one day when I bought a 4GB SD card and the camera would not recognize it. When it was built 128 MB and 256 MB cards were the craze.

For Christmas I got a Canon Rebel 1000D (XS) with the included 18-55 mm EFS lens. Since then I have added a kit that included an EFS 55–250mm lens, a lens hood, a UV, Polarizing and FLD filter kit, and a tripod. After six months of studying the manual and religiously reading online resources (the best of which I found to be Geoff Lawrence’s dot com Tutorials and Tips), I am ready to start sharing my learning adventures. Here we go!